Who Were You Frank M?

Awhile ago, I found this beautiful set of silver ashtrays and lighter in its original box. Boy, they really knew how to package things back then. These are from the 1920s. Whether you smoke or not, you cannot deny the craftsmanship of this set. The glass and silver are beautiful together.

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Frank M. Whiting Ashtray and Lighter Set

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The mark on them denotes “Frank M. Whiting Sterling.” So who is this Frank M. Whiting who does such gorgeous work? When did he start working in silver? I need to know, so let’s jump into this rabbit hole together and find out a little bit about Mr. Frank M. Whiting!

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Frank M Whiting Sterling Nut/Candy Dish (available at Nathan H Antiques)

According to a thesis on the Whiting Manufacturing Company by Abigail Barnes Nova, the story actually starts with his father, William Dean Whiting (1815-1891) who was a silversmith. William Dean worked his way up through different apprenticeships and firms until he helped found Whiting Manufacturing Company in 1866 in Attleboro, Mass. After an extensive fire that destroyed the operation, they rebuilt in Attleboro before they moved to New York City in 1875.

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Frank M Whiting Ink Well or Toothpick Holder (available at Grammahadthat)

This is important information in that it shows the progression of Frank M. Whiting’s early life. He would have moved with his family as the company moved. The company excelled in lines of Japanese-inspired silver in competition with Tiffany. As a side note, Charles Osborne was also a designer for Whiting Manufacturing Company, and he was later associated with Tiffany.

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Frank M Whiting Silver Porringer (available at BirneyCreek)

In 1880 we see Frank Mortimer Whiting enter the scene. As the second son of Frank Dean Whiting, he and his dad returned to Attleboro and opened the F.M. Whiting Company. He had worked for his father’s company in both Attleboro and New York City as an assistant. He also worked the sales end of things as a traveling salesman. He wasn’t actually a designer at Whiting Manufacturing Company; which is interesting, he was a businessman.

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Frank M Whiting Silver and Glass Compotes (available at UglyDucklingLex)

His dad, William Dean may have actually done most of the designing with other silversmiths  doing the work. Unfortunately, poor Frank M. appears to have died early. He died in 1892 about a year after his dad. His sisters ran the business under the F.M. Whiting Company after that until they had to change the name in 1895 to “Frank, M. Whiting and Company” and get a whole new trademark. This was  because the Whiting Manufacturing Company didn’t want them to make any money off of the name association.

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Frank M Whiting Pheasant Coaster (available at CreativeDesignsbyFL)

The Frank M. Whiting Company ran until the 1940s when they were bought up by the Ellmore Silver Company and ceased to exist (Metropolitan Museum of Art, “In Pursuit of Beauty: Americans and the Aesthetic Movement.” p. 485). So that places my set of ashtrays and lighter as manufactured sometime between 1895 to 1940. It happens to be a 1920s design but that’s how you date your items. Frank M. Whiting & Company didn’t come into existence until 1895 and F.M. Whiting was only in business from 1880 until 1894.

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Frank M Whiting Silver Tazza (available at Whatnotgems)

So there is the story of Frank Mortimer Whiting and his silver company. I hope you have enjoyed reading! Have a great week!

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A Toast to Toast Racks

I recently added to the Vintage Eve’s shop, and quickly sold, a lovely little silver-plated toast rack. In researching how to price it, I saw so many pretty toast racks it made me wonder how far back these go? Also, when did they actually start making toast? So of course that led me to when did they decide they needed a rack to stand them up and why?

Here is a picture of the toast rack that started this short jaunt.

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William Hutton & Sons Toast Rack 1930s

The top is a little squished, but it is almost 100-years old, and one must forgive some flaws in a piece that old. Here’s a unique one in Lusterware from the 40s.

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1940s Lusterware Toast Rack (available at Tiny China Vintage)

According to a New York Times article, toast has been around for awhile. It comes from the Latin “Torrere” which means “to burn.” While burnt toast isn’t the ideal, they actually originally used toast to flavor alcohol. They usually used stale bread that would hold up to toasting in the fire. They had toasting forks so they could hold the toast in the fire until it was just the right color.

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James Deakin Toast Rack 1900s Art Nouveau (available at Vintage and Deco)

The first toast racks seem to have come into existence sometime in the late 1700s, that comes from a mix of different sources. They all seem to agree that the 1770s is about the right time. They were simple devices at the beginning, just wire soldered to a tray type of thing. They got more elaborate as people started using them.

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James Dixon Toast Rack 1910s (available at Museography)

They were used because it kept the toast from getting soggy and the crumbs would get caught in the tray, keeping everything neat and tidy. There are some really wonderful examples of toast racks out there.

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Edwardian Era Toast Rack (available at White Hart Antiques)

People tend to use these as letter holders these days, or they did until email took the place of snail mail. Time marches on, you know. I’m sure we’ll find another use for these. Maybe we might even go back to using them for toast!

I hope you’ve enjoyed this foray into toast racks. Enjoy your week!

 

Super Sascha

I really love finding stuff I’ve never heard of before. Some of the pieces on this blog have caused me to really look deeper into the origins of pieces, which is what I also love. So recently, I came across these pieces. Other than just being an absolutely beautiful design, they were by a designer I was not familiar with, Sascha Brastoff.

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Sascha Brastoff Saucer
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Surf Ballet

These saucers are a pinky-purple mixed with gold on an eggshell color base. The pattern name is Surf Ballet, which, let’s face it, is an awesome name. And it also looks like the foam from the ocean as it’s churned with a gorgeous sunset. That’s why I grabbed them for the store. They were too pretty to leave them languishing in a cupboard.

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Sascha Brastoff Horse Bowl (available at Buddhagal)

So who is Sascha Brastoff? It turns out he was a very popular designer of Mid-Century Modern ceramics and was very prolific during the 1950s and 1960s. He was born in 1918 in Cleveland, Ohio. He entered WWII going into the Air Force. When he got out, he actually worked for a while at Twentieth Century-Fox as a costume designer. 

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Sascha Brastoff Cigarette Set (available at hyggeligtgenbrug)

In “Made in the Twentieth Century: A Guide to Contemporary Collectibles” by Larry R. Paul, Sascha opened Sascha Brastoff Products, Inc. Then opening a ceramics plant in West Los Angeles in 1953, introducing his Rooster trademark that same year.

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Sascha Brastoff Rooster Mark

One of my favorite resources on American pottery, “Lehner’s Encyclopedia of U.S. Marks on Pottery, Porcelain & Clay,” by Lois Lehner, says this plant covered a full block and operated from 1953 to 1973. Sascha himself did all of the designs and then let his staff of about 20 people execute them under his supervision. A brochure that went out with some of his designs stated, “In his southern California studios, Brastoff has labored toward a double objective – the bringing of fine art into everyday living.” (Lehner, p. 55).

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Sascha Brastoff Water Jug (available at Unique Decor HM)

That epitomizes what he was trying to do. Don’t forget that coming out of the war, after all the rationing and foreign imports of ceramic wares were being cut off, there was a big demand for ceramic wares that were beautiful and functional. Add in the post-war building boom, and you can see the proliferation of American pottery that looked toward the modernist future but was also functional in order to furnish those new homes. Brastoff was able to fulfill that role.

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Sascha Brastoff Black Bowl (available at Hearthside Home)

His pieces cost from $25.00 and into the thousands for pieces that he himself produced. As far as the marks are concerned, his rooster mark with “Sascha Brastoff” underneath has been used since around 1953. That mark can be a gold sticker or backstamp. Another backstamp, “Sascha B.” which means he supervised the making of the piece. If he signed his full name in script “Sascha Brastoff,” it meant he did the piece himself from beginning to end.

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Sascha Brastoff Bowl (available at Mad4Mod Vintage)

There are also both of those “Sascha B.” and “Sascha Brastoff” in block letters as a backstamp. Both of those were stated to be in use since 1952 but specifically on a line of pottery designed by Sascha for B. Altman Company (Lehner, p. 17). According to Venice Clay Artists, Stangl and Royal Haeger were also licensed to use his designs. There’s usually a thick, “SB” on the piece designating the designer as Sascha Brastoff.

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Sascha Brastoff Salt and Pepper (available at Bayshore Attic)

Unfortunately, Sascha left his plant due to ill health in the 1960s. The plant closed in 1973 and he passed away in 1993, at the age of 75. He definitely left his mark on Mid-Century Modern pottery and his pieces were as highly prized then as they are today. If you think about a $25.00 piece in 1960, it would be like spending over $200 for a piece of pottery today when the average yearly family income was only $5600. I always find these figures remarkable. So that is the story of Sascha Brastoff and his gorgeous designs.

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Sascha Brastoff Hooded Ashtray (available at That70sShoppe)

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I hope your upcoming week holds lots of good things! I’m in the Northeast enjoying a well-deserved Spring and excitedly watching the early flowers bloom. Thanks for reading!

 

Flow Black and Blue

Over the course of time I have seen and heard of Flow Blue. It’s a type of transferware that was very popular in the early and mid-1800s and is still highly collectible. According to Collectors Weekly, Flow Blue pottery began showing up in the 1820s in Staffordshire England. It was created when lime or ammonia was added to the kiln during the glazing process. The chemical caused the blue transferware to run and blur which many people found desirable.

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WH Grinley & Co. Flow Blue (available at Reclamation Art Shop)

I, personally, love many of the Flow Blue patterns; I find them very pretty and unique. I didn’t, however, realize there were other colors until I ran across these amazing saucers.

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Black Flow Washington Vase Wedgwood Saucers

In researching them, I could see they are marked “Wedgwood” and “Pearl Stone Ware.” They are also marked “Washington Vase” which turns out to be the pattern name. But these are not Flow Blue, they are Flow Black! And gorgeous!

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Black Flow Saucer Trio

These date back to about 1860, so they are over 150 years old. There was a bit of yellowing on a couple of them but you can see one that I believe was the original color. It was a white glaze with a black transfer that was “blurred” in the creation of the Flow Black pattern. The earliest Flow Black Washington Vase was done by a company named Podmore, Walker & Company (PW & Co.) which then became Wedgwood around the 1860s when Enoch Wedgwood became the senior partner during the acquisition of PW & Co.

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You will see the PW & Co. mark on Washington Vase from the early 1800s and then around 1860 you will see it marked Wedgwood using the same backstamp, an oval and ribbon. Pearl Stone Ware, which is the other mark on these saucers, was marketed by PW & Co. as a more durable earthenware, being fired at a higher temperature. Since these particular saucers managed to hang in there for 150 years, I guess that it is pretty strong!!

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Washington Vase Flow Black Wedgwood Mark

You will sometimes see Flow Black referred to as Mulberry. I saw black but perhaps others see a slightly maroon tinge.

I hope you have enjoyed learning about this beautiful transferware and will be able to identify it when you see it. It’s very collectible! If you have any stories about your Flow Black or Flow Blue, leave me a comment. Have a great week!

 

What’s Cooking?

One of the things I love to find while I’m out and about are vintage cookbooks for a couple of reasons. One being that they sell well in my Etsy shop, the other is that I love thumbing through these vintage books looking at pictures from my childhood and before. Take a look at this one I found recently which I adore.

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Famous Eating Places
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Those graphics!!!!

It’s actually a cross-collectible for those that collect automobile memorabilia since it was put out by the Ford and Lincoln-Mercury Dealerships back in 1954. I love that there are 4 recipes from my state and many more from all over the United States. One of the restaurants is still standing in Portsmouth, NH, but is not a restaurant anymore, it’s a business. Time marches on.

Here is another one that I really like.

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Betty Crocker helps you with all your hostess needs!

These Betty Crocker books have great pictures and recipes. Look at that spread!

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Here is another from Betty.

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Not sure what that white ring is but I’m all in for that fondue!!

I especially like cookbooks from the 1950s and 1960s. And if you’ve read my many blog entries, you know I love Mid-Century stuff. And that includes cookbooks.

Although, here’s an oldy. A reproduction from the early Williamsburg days.

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Close up!

Obviously, people have been writing down recipes for a long time. Did you know that the oldest recipes ever found were written on clay tablets? Called the Yale Culinary Tablets, they date back to 1700 B.C. They only list the ingredients though and not the directions (Yale Tablets). It was sort of a crap shoot I guess if you got it right. Click the link for more info.

Here’s one that is relevant for the upcoming Thanksgiving holiday!

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Who knew the cranberry was so versatile!
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Free Recipes!

Does anyone remember the Galloping Gourmet? I remember my dad watching this show on Saturday afternoons.

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There he is! Not my dad, the Galloping Gourmet!

There are so many different kinds of cookbooks. One that recently sold in the shop was from the 1960s that was a compilation of Boston Globe recipes. I almost didn’t let that one go. One that I am keeping for now because I need more time to explore it is this one.

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Anyone need a recipe for a Teen-Age Square Dance?! Here’s one!

I like the way it reads like a story and I want to try some of the recipes. This one is interesting in that it was written in 1959 and it has a section on cooking for food allergies and another section warning about fad diets. I didn’t think they knew about those issues back then! So I’ll hang on to this one.

Well, I thank you for taking the time to enjoy these great vintage cookbooks with me. Most of them (not all) are available in the Vintage Eve’s shop on Etsy. As always, have a wonderful day and maybe try a new (old) recipe!! If you do, drop me a line and let me know what you made. Always looking for something different to answer that age-old question … what’s for dinner?! My kids don’t even have to wait til I get home to ask anymore, they text me that question now. Time does indeed march on but the question remains the same. Have a great week!

 

Lovely Old (and sold) Things

I thought it would be interesting to look at some lovely old things that have passed through my store in the last month or so. They are a mix of vintage items that I really couldn’t dig up a lot about so I thought I’d make one post out of 5 of them.

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Rumpp Shot Glasses with Leather Case 1940s

I loved these old shot glasses from the 1940s. Let me tell you, they weren’t in the shop long before they sold! They were produced by a company named Rumpp. The 4 shot glasses are silver-plated and fit snugly in their soft leather case with a snap. The bottom of the glasses say “Made in Germany U.S. Zone.” I’d never seen that mark before. My research says this mark was used between the years of 1945 to 1950.

C.F. Rumpp & Sons was a leather manufacturer that was open from the mid-1800s to 1959. It closed in 1959 and was demolished in 1965. They were well-known while they were around.

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1930s Children’s Puzzle by Tudor Press

This little puzzle wasn’t in the shop long either! By Tudor Press, it was from the 1930s and had Porky Pig and Puppy Sam. I thought it interesting that Porky Pig was named on the puzzle. The bow-tie-wearing pig I remember from the cartoons looks nothing like this but they appeared around the same time in the 1930s.

 

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Dru Enameled Cast Iron Butter Warmer Mid-Century Modern

 

As I’ve mentioned many times, I’m a huge fan of Mid-Century Modern. This little piece is enameled cast iron by a company called Dru Holland. It’s a small trivet that goes with the butter warmer by the same company, and in the same pattern. There is little to no information about the company online. They were in business during the 1960s; out of business by the 1970s. That’s about all I know of the company, but their stuff is classic Mid-Mod.

 

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Ned Smith Highball Glasses Signed

These are highball glasses all signed by an artist by the name of Ned Smith. He was a painter born in 1919 who became a nature artist. He was known for his very detailed and accurate drawings of wildlife for books and magazines. There is a website with a short biography about him at the Ned Smith Center. He died in 1985. I’m not sure exactly when these glasses were commissioned. I can tell you they didn’t stay long in the shop!

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Covered Casserole by Sadek from the 1970s Oven to Table Cookware

Lastly, there is this lovely lady. This piece is from the 1970s, a covered casserole dish with vibrant flowers. I love the shape of the handles. The Sadek Company was founded in 1936 by Charles and Norman Sadek. The Andrea line was named after Charles’ granddaughter and is still in production.

I love the pieces that I sell, that’s why I sell vintage. Each one has it’s own little history. I may not always be able to find more than a paragraph, or an entry at a licence or patent site, but each piece has an origin. If they could only talk … okay, seriously that would creep me out, but it would definitely be interesting!

I hope you have enjoyed a look at some lovely old pieces and their brief histories. Thank you for sharing your time with me and have a great week!

By Royal Decree

One of the things I love to find while I’m hunting for treasures is egg coddlers. A few months back I did a post on them which you can read in the archives. They are lots of fun and I love using my own set. They make a good egg! I’ve got my cooking time mastered to give me a nice soft yolk egg. Just the way I like them. One of the makers of these egg coddlers is Royal Worcester. They don’t just make egg coddlers though, they have a long history of making porcelain.

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Royal Worcester Egg Coddlers (available at Vintage Eve’s)

They actually started in 1751. According to Mallams, It was started by 13 local businessmen at the time and was originally called just Worcester Porcelain. They were successful from the beginning with their first showroom opening in 1754 on Aldersgate Street, London.

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Lovely Victorian Royal Worcester Reticulated Plate (available at Feltham Antiques)

In 1756 they were one of the first to use a transfer printing process. Robert Hancock had joined the company and pioneered this process. The original pieces had all been hand painted in blue paint under the glaze. This, of course, increased their productivity. They were still Worcester Porcelain at this point.

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Royal Worcester Vase c 1887 (available at DeeBird’s Nest)

The company’s founding fathers eventually retired and the company was bought by Thomas Flight who purchased the company for his sons, Joseph and John in 1783. Then in 1789 they got the Royal warrant by George III for making the first Royal Dinner service for the Duke of Gloucester, George’s brother. That was when they added the “Royal” to their name and became Royal Worcester.

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Royal Worcester Little Miss Muffett c. 1940 (available at Christie’s Curios)

They had a number of big orders for the Royal Family and some other notables such as Admiral Nelson in 1802. They created a book of 400 designs for the Prince Regent and the coronation service for King William IV.

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Royal Worcester Indian Tree Tea Cup and Saucer (available at All You Can Tea)

Royal Worcester was bought by Richard William Binns and William Henry Kerr in 1851. From that year to 1887 the Severn Street factory grew from 70 employees to 700. I would say that was a huge amount of growth!!

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Royal Worcester Palissy Divided Dish c. 1970 (available at Rachel’s Vintage Retro)

In the early 1900s, Royal Worcester began making hard porcelain items for hospitals, labs and schools across England. During that time they were also branching out successfully into the U.S. At least they were until the Great Depression. They barely escaped with their shirts but they were able to remain open, due in part to innovation, with the development of fireproof porcelain.

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Royal Worcester Coffee Pot and Creamer (available at Corner of 4th and Main)

The company was also part of the war effort creating electrical resistors and spark plugs. After the war they continued producing and growing and are still in business today. They opened a museum in 1951 which has over 10,000 pieces. According to Mallams, even though they mostly print on porcelain, they still have some designs that are hand-painted.

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Royal Worcester Vitreous Covered Server c. late 1800s (available at Chased Vintage)

It’s nice to see a company with such a long history still in business. So many companies, as we’ve seen, weren’t able to compete with cheap imports but Royal Worcester is still going strong!

I hope you have enjoyed this look at Royal Worcester and will join me at the link parties on the right. Have a great week!